directing

But It’s A Rolex! (More than likely…)

An old memory: hanging out in a HW auditorium, years after graduating – going to a dress run of one of Ted’s shows, and seeing a printed copy of his notes, and this note among them, to some unfortunate:

“If you don’t take your watch off, I’m going to cut it off.”

I was never in one of Ted’s shows, and never saw his notes. I seem to remember them as typed on colored paper, in a small font, distributed to everyone (another strike on that side – I really have to systematize my work on this note business). But that made me laugh so hard. And it made me realize Ted was human. I suppose at the time, he would have still been “Mr. Walch.”

I want to make a documentary about his directing. Having said that, I have no resources with which to do it. But someone should. “Master Class with Ted Walch,” or something.

Standard
Golda

More mysteries of Golda

We raced ahead today. Pages 15-32 in a re-work-through for detail. We move into the theater tomorrow. Spent a lot of detail time on working or realizing on the line, not on the pause – the work of pacing. It was a textbook day.

Aaron gives direction sometimes in terms of character traits – intelligence, strength, etc. I like it, and I must have seen it before, but somehow it seems unfamiliar. As in, “She’s smarter than that.”

I’ve thought this before but never known it – and it became really clear today – Travel on the action – move while traveling, both literally and in the mind. Arrive physically at the point of decision.

Golda pulls us down deep into seriousness, so far it takes extra to flare up the humor. Realizing this made me feel more understanding for Neil LaBute.

Standard