Golda, the audience, theater

You’ll Have It In The Morning

Tonight at Molly Magee’s, after two run-throughs in our final day of tech, (and my laptop fainting like a woman of fiction in the middle of the second one) we fell into another conversation about bad theater and the way it happens so often – through money, through paint-by-numbers directing or writing, through “prescription audiences,” through mediocrity.

We criticized theater with the attention to detail of intimate family. We know her flaws better than anyone else does. (And, I suppose, she knows ours.)

I suddenly overheard myself saying that every new audience is an new opportunity to do something better. I don’t always believe that, but I try to work as if I did.

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