workstyle, writing

snip

Last semester, when trying to revise my portfolio, I did something kind of bonkers; I opened ten little Stickies on my desktop and put one poem in each one. This allowed me to see all the poems at the same time, and as I thought of lines or ideas, move from one to the next.

It seems like a kind of death by multitasking, but I have been doing a similar mass revision today, and it works, I think, better than you would expect. I guess this is a sort of workflow self-hack. I am, always have been, easily distracted. If the distraction can be another form of what needs to get done, all the better.

But I think this technique has, also, to do with my desire to see the bigger picture of the story. If I can persuade myself that the details that need to get cut out of Poem X can go into Poem Y, I have less trouble cutting them.

Things I have done this weekend that were not related to work included reading back issues of Horse and Hound, online. “Research.”

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fiction

The Trailhead Queen was dead.

At first, there was no overt sign that her long life was ending: no fever, no spasms, no farewells. She simply sat on the floor of the royal chamber and died. As in life, her body was prone and immobile, her legs and antennae relaxed. Her stillness alone failed to give warning to her daughters that a catastrophe had occurred for all of them. She lay there, in fact, as though nothing had happened. She had become a perfect statue of herself. While humans and other vertebrates have an internal skeleton surrounded by soft tissue that quickly rots away, ants are encased in an external skeleton; their soft tissues shrivel into dry threads and lumps, but their exoskeletons remain, a knight’s armor fully intact long after the knight is gone. Hence the workers were at first unaware of their mother’s death. Her quietude said nothing, and the odors of her life, still rising from her, signalled, I remain among you. She smelled alive.

Usually I have to skim through a story or poem to find the best line for a teaser, but not this time. This is the first paragraph of E.O. Wilson’s short story “Trailhead” in the New Yorker, taken from his novel, Anthill, which comes out later this year.

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poetry

I think

part of my problem with poems is thinking in pieces that are too big. I have gotten used to think of time as something that takes at least seventy-five minutes with no intermission.

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dance

people of los angeles,

go see Grupo de Rua at REDCAT, Jan 19-23. Tickets are $30 and under.

It does not matter whether or not you are familiar with the dance world. Either way, when you watch Grupo de Rua at work, you are going to have an amazing experience. […] The only explanation for such a masterpiece is that Beltrao is a genius and the performers are superhuman. It is something so perfect, so genius and so incredible that you would surely be out of your mind to miss it.

– Nesmo Tawil’s review in New University (UCI campus paper)

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poetry

a light steel net to snare it with

The Oldest Living Thing in L.A.

At Wilshire & Santa Monica I saw an opossum
Trying to cross the street. It was late, the street
Was brightly lit, the opossum would take
A few steps forward, then back away from the breath
Of moving traffic. People coming out of the bars
Would approach, as if to help it somehow.
It would lift its black lips & show them
The reddened gums, the long rows of incisors,
Teeth that went all the way back beyond
The flames of Troy & Carthage, beyond sheep
Grazing rock-strewn hills, fragments of ruins
In the grass at San Vitale. It would back away
Delicately & smoothly, stepping carefully
As it always had. It could mangle someone’s hand
In twenty seconds. Mangle it for good. It could
Sever it completely from the wrist in forty.
There was nothing to be done for it. Someone
Or other probably called the LAPD, who then
Called Animal Control, who woke a driver, who
Then dressed in mailed gloves, the kind of thing
Small knights once wore into battle, who gathered
Together his pole with a noose on the end,
A light steel net to snare it with, someone who hoped
The thing would have vanished by the time he got there.

Larry Levis

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poetry

in which Larkin abetts the process of government

Once, at a bipartisan chiefs of staff retreat in Charlottesville, [Huck] Gutman stepped in to demonstrate the power of poetry. A training session had grown tense, recalls Stephen Ward, chief of staff for the Sen. Jeff Bingaman (D-N.M.). Gutman rose, Ward says, and announced that he felt compelled to recite a poem. The 12-liner by Philip Larkin makes liberal use of a certain four-letter word that begins with the letter “f.” The chiefs of staff cracked up. Tension gone.

– From a Washington Post article on the poetry-propagating Huck Gutman, chief of staff to Vermont senator Bernie Sanders, who runs an email list sending out poems to Washingtonians. Via AJ.

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fooooood, theater, travel

the way to go to the city

is like this. Fly-by-visitor. Businthemorning: food: theater: more food: friends far too long missed and most dearly revisited: and back in Baltimore before midnight via yetanotherbus. If you go for less than a day, no suitcase required! I got to walk around with the lightest bag I have ever carried in Manhattan. I bought four books at Biography-soon-to-be-BookBook in the Village, all of them bought to give away, saw Donald Margulies’s new play at MTC, TIME STANDS STILL, with Laura Linney (very, very good: it’s nice to see theater so spot-on that you cry before intermission) and ate some of the most enormous latkes that have ever been conceptualized, as well as chocolate croissants and Cantonese food with lotus roots. They (the lotus roots) look like tomatoes, taste like water chestnuts, and behave like pinwheel pasta. You must, as soon as you can, see both Laura Linney and the lotus root.

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quotes

Icebergs are blue

The icebergs close-up, even quite far away, were not daydream white at all. Blue. Icebergs are blue. At their bluest, they are the colour of David Hockney swimming pools, Californian blue, neon blue, Daz blue-whiteness blue, sometimes even indigo. They were deepest blue at sea level, and where cracks and crevices gave a view of the inside of the berg, where the ice was the oldest and so compacted that all the air had been forced out.

I feel a sense of proprietary pride about Jenny Diski using the word “Californian” to describe the adjective “blue.” That’s right.

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musicals

play, I said:

the DVD player in my classroom is operated with a touch-screen. Since I am a vampire, touch-screens do not recognize me. Also, the class is turning into less of a movie class and more of a playlist. We watched, after a Sondheim unit, some snippets of 40s and 50s musicals that prefigure Sondheim – including “Soliloquy” from Carousel – really a remarkable song: Billy daydreaming about what his future boy — wait, could it be a girl?? — will be like.

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