a propos of nothing, writing

Open the pod bay door, Hal

Shiyan’s car talks to me, and I obey, having over 80’d myself on Bay Area freeways – losing the 680 en route from the 880. In the sweet voice of “If you’d like to make a call, please hang up and try again…”

Camry:
Turn left at the next intersection.
Get in the left lane.
Stay on this road.
Exit in two miles.
Get in the right lane.
Turn left in (pause) one half mile.
You are (pause) now at your destination.

It’s like God giving you directions. GPS = God’s Personal Satellite.

I’d like to write a play with the automatic voice as a character.

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a propos of nothing, books

Observing the preliminaries

Mary and I think people who are really up on their knowledge of THE GAME should refer to it like the Bible, or die Glassperlenspiel – deigning to actually use the pickup tactics, but have conversations like this:

F: Corinthians 12.

Q: Oh yeah? Leviticus 14.

F: Numbers 6!

Q: (in a devastating tone of voice) Deuteronomy 44, second from the left, third line: appendix G.

F: (Dropping pants) I feel attracted to you because you seem inaccessible.

Q: Works every time…

I need to read THE GAME in prep for 52. And Story of O again. And probably actually read Dangerous Liaisons instead of just the play. I had a weird idea about 52 today that maybe it should be some kind of LeGuinian society where the coming-of-age is a requirement…

I should find out what Prof. Apostolides is up to – both his LONG DAY’S JOURNEY and his LIAISONS were among the theatrical highlights of my Stanford career. Gabe telling me that Prof. Fliegelman had died really made me want to reach out to the folks I did know there.

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a propos of nothing, employment, F&F, film, interviews

Sffffffff

Back in Menlo from a whirlwind, exhausting SF trip: saw Ellen, Gabe, Morgan, Mary, Nelle & Mia, and Mere all up here. PHEW. Plus interviewed with Octavio Solis and Aaron Davidman: two of the best I’ve had so far. And James Still on the phone. Such great stories. It must mean something, perhaps about my self-satisfaction, that the more theater people I meet the more I love theater. But there are amazing folks in this business, in this basket-weaving, early-music-making, hybrid of the extreme past and the unrealized future. Nothing “present” about it. Dreamers.

The last time I was on Florida Street, where I met Aaron at the TJT offices, was years ago when I took the CASSANDRA SPEAKS crew up to a show there, and thought it would be a good idea to get off at the 22nd Street caltrain station and WALK from there to Florida Street. We arrived, halfway through the second act of a dance performance at Theater Artaud, absolutely exhausted, having trudged lost through the streets of SF for nearly two hours. I thought this would be a good “bonding experience” for the cast. This is, without question, the worst thing I have ever done to a group of actors.

So I must have grown some since then – at least now I’d know to get off at 4th & King…Perhaps if the Millbrae BART connection had been up then, I wouldn’t have so completely traumatized all of us. Blame your bad directing on the public transporation system. What would Darin Nichols do?

And it seems like there’s always more of SF to find. Ellen and I got totally windblown in this park at 19th and Yukon. Mary and I walked all around Union Square looking for something that wasn’t a glorified sandwich. North Point and the Marina with Gabe. (Again, more wind.) Mere and I went to the Ferry Building and the Embarcadero. Lots of good solid tourist stuff. And I explored Oakland with Morgan a bit – saw her house, and Mike’s enormous fish triptych. But my heart still belongs to 16th & Valencia. To the Mission district. Morgan and I hit Club Baobab and I watched people who know how to salsa.

I’ve been driving Shiyan’s hybrid Toyota Camry for a day now. Delightful. Pushes a button to turn on. She had to drive from Syracuse to NYC after trouble with a Chicago connection dropping her brother off at Cornell…and then a big-rig overturned on the freeway south from Syracuse, and she had to sit in traffic for hours on end.

Mere has been helping me set up my bookcase encampment too. And we watched the end of Sabrina 2 and most of Avenue Montaigne. Is it just me, or do French directors find naivete more attractive than anyone else does? Americans like our ingenues jaded.

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a propos of nothing, books

Caltrain Is For Crazies

I’m reading THE NAKED AND THE DEAD on the train from Millbrae to Mountain View.

Caltrain Dude: Do you have to read that?

Me: Huh?

Caltrain Dude:Is that for class?

Me: Oh. No. I read an interview with Norman Mailer in the Paris Review, and I –

Caltrain Dude: You don’t see too many females reading books like that unless it’s for class.

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