family, Lydia, politics, travel

turn the page

I’m packing – tomorrow I fly to NYC, after the evening’s preview, on a red-eye. I’ve been in Denver since Dec 6th, the longest I’ve been anywhere since Ashland.

Today I met my great-aunt and great-uncle by marriage, Rose and Floyd, who have been in Denver since 1944. We had a really great conversation over dinner at Hotel Teatro Cafe on 14th before they came to LYDIA this evening – we talked about WWII, Japan, Hawaii, the 100th Battalion, the segregated units, the internment camps, the GI Bill, the US, Israel, the concept of apikoros (non-practicing believer), Judaism, Unitarianism, theater, city planning, architecture, and our families. And borders. And the meaning of global citizenship. And my brother Zack, who they haven’t seen since Lew and Susan’s wedding – fifteen years ago? – playing the piano. It was a conversation of memory and history and I’m still spinning around from the ideas in it.

Looking over the past few blog entries I can smell homesickness, longing for LA, even second-guessing my decision to spend this year running around the country like a chicken with its head cut off. But meeting people like this, even if it’s briefly, makes the entire project seem worthwhile. I never would have known them if I hadn’t come to Denver.

I hope they enjoyed the play – well, as I was saying to a departing audience member, enjoyed isn’t the right word – but I hope they were moved by it. I sat four rows from the stage tonight, and it was amazing how O.R. could make her eyes look like a brain-damaged person. Her portrayal is naturalistic in detail but theatrical in scale.

I also had a phone work session with Tony on Oedipus today, and with Amina on Medea yesterday, and the Convergence proceeds inexorably.

It’s a disjointed life I’m leading, but a full one. If there doesn’t seem to be a plot right now, maybe that’s all right. Maybe this part of my existence is more of a montage. Or an overture to an unwritten opera.

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