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things are always breaking or need fixing

A novel is something you can live inside, like a house. It has lots of rooms that serve different purposes. You build it with your own two hands, and although it’s never perfect, and things are always breaking or need fixing, the dimensions are such that you can pass years of your life there. You can feel at home in it. You eat, you sleep, you have sex, you open your mail. A poem, I suppose, is more like a room. The word stanza actually means "room" in Italian. If you work hard enough on arranging the furniture, you might actually be able to make that room perfect. I think there’s the possibility for perfection in a poem that I’m not sure there is with a novel. But as lovely as that room might be, with just the right light and view, eventually you have to leave it. You get hungry or tired, or you have to go to the bathroom. And in the end, as you walk out, you realize you’ve closed that door behind you forever. Heraclitus said you can’t step into the same river twice. Well, when a poem or a novel is finished, you can’t ever go back in the same way. It’s just that a novel you live in for longer. And I like that. Wandering around in that house and making a life there.

– Nicole Krauss, in an old interview

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Baltimore, theater

theater weekend:

saw TRAGEDY @ Single Carrot on Friday, and am heading to closing weekend of THE GOAT, OR WHO IS SYLVIA @ Rep Stage today. It’s the end for THE GOAT, but TRAGEDY still has performances left, through July 11, and is wonderful. It’s Will Eno’s absurdist play about the sun going down and not coming back up, as reported by a crew of bewildered newscasters.

I read THE GOAT the year it came out, but have never seen it. I’m very excited, especially since the man playing the lead is a friend.

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the chorus

more choruses

New sound files up on ||8ve website: James Wright’s “At The Executed Murderer’s Grave,” William Blake’s LONDON.

On Saturday, the ||8ve group that assembled talked about the possibility of doing some projects requiring more rehearsal or memorization, as well as working with longer texts, or even collaborating with some visual/physical performers. These all seem like good ideas to me: better, now, after having watched THIS IS IT on Friday. I was very inspired by the professionalism of Michael Jackson and his dancers, and it made me want to do something more finished, as opposed to starting from scratch every week.

I like the format that ||8ve has right now, where it’s low-stress, where anyone can come, etc. But it seems like there ought to be possibilities for something more, beyond the poem-a-week. Something where we could build on old work.

I don’t know if it’s going to happen immediately, or at all. But twelve weeks of sessions has definitely left many of us curious what else is possible.

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