a propos of nothing

But knownst to us..

“Needless to say” is so kindergarten. It’s so disingenous. If you say “Needless to say,” you actually confuse the meaning of the amount of needing to say something.

Either
1) you really don’t need to say it but are saying it anyway and apologizing for that by throwing in “needless to say”
2) you do (need to say it), but you want to make it seem like you don’t.
3) You do need to say it but you want to make everyone feel like they should have known it already.

Either way, the phrase serves more as a marker of calling attention to the phrase after it, than conveying the actual amount of need of saying. So instead of saying “Needless to say,” I’m going to start saying “I’d like to draw attention to the phrase after this opening clause, and I’d also like to make you vaguely uncomfortable about whether or not you should have known this information already.”

Goes in the same camp with “Clearly”, “As we all know,” and “I know I don’t need to say it, but…” It’s all bad directing. It’s all telegraphing.

Needless to say, I like the phrase more after having written this post than I did at the beginning.

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a propos of nothing

Social Networking of Nations

There’s a wildfire raging in San Diego – if Zack has to evacuate, we’ll know soon.

Reading, relentlessly and quickly and not with much depth, books found around the place: THE GAME. ADVENTURE CAPITALIST. That book about only working 4 hours a day. There’s a style of literature of acquisitions, of experiences – cumulative value – pickups, countries, etc. How much, how many. I feel like I’ve been reading a lot of it lately. People who have traveled all over, or slept with a ridiculous number of people. It’s like friending. Brief connections. Ticking off a list. If visiting another country is no more meaningful than picking up someone in a bar (not that both can’t convey a certain set of meanings) then no wonder there are so many (mis)understandings between people and between countries. It’s like friending. Like social networking sites. If it’s that easy to do, maybe it’s not worth doing. And if your experience of other countries is just going there and flinging around American dollars (there was some quote in the 4hrs/day book about “Things get fun when you earn dollars, spend pesos, and pay your employees in rupees” that horrified me) then you’re not experiencing them. You’re colonizing.

Of course, there is something to be said for just connecting with a variety of people, or countries. Something so much, that people spend over half their day on Facebook. It feels meaningful. And it’s a quantifiable sense of achievement. But real connection comes from more than “friending” other nations, other people. Friendship isn’t a verb – it’s an adverb – it’s how you do the thing you’re doing.

I’m thinking of a woman I met at the Doug Fir in Portland, a blonde post office employee drinking a margarita, who told me she had spent 3 years in the Peace Corps in Nepal. She came back to America, got married, and 3 years later her marriage is over. Now she wants to return. The time in Nepal feels more meaningful to her than her time here. She was able to see her work manifested in helping to build a school. She went there to teach English and realized that doing that was less helpful than building infrastructure. Rotary sent her books for the school.

I’m not hating on Myspace, or Facebook, or on tourist travel. But I do think there are more or less meaningful ways of connecting with people, and with countries – and the most meaningful take more time. I just want the friends that America and Americans are networked to in the superficial sense to be more closely connected.

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a propos of nothing, style

phrealism

Last night LaCona and Cisco and I went for shabu shabu on Castro St. Incredible. I talked to her about if I need to take time off from the chorus. She thinks that there’s no reason to stop working on one thing while I try to elaborate on another. She’s probably right. The need for more realism doesn’t necessitate the end of abstract expressionism. And it would be a shame to stop now, just when I feel like I’m at the point of another breakthrough around jazz and improv and structure. But that breakthrough is going to be a lot of work. Sometimes I wonder if it really is easier to do film…

Mere & I watched Golda’s Balcony this afternoon, and I took maintenance notes – and we’re now at 2319 doing laundry. We’re going to an 80’s night in the city somewhere tonight. About two weeks till this period of sojourning in the Bay Area ends.

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a propos of nothing, theater

From the rehearsal report:

” FYI, one of the (formerly) live plants on SL was
dead when we came in tonight, so Josh removed it from
the stage. There is a fake plant a little bit in
front of it, so there isn’t a noticeable hole. They
are continuing to water the plants every other day.”

One more living creature sacrificed to Dionysos.

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a propos of nothing, style

Kissinger! (“Rigorous Intellectual Digression…”)

So I started out trying to write a note, in a word document, about blocking on Morris crushing the lampshade. 5 steps later – lampshades – Holocaust – the Investigation – German theater – Toby – email Toby – Syzygy eblast – Goblin Market – email Aaron about Syzygy – I should write a chamber musical –

Linking and following is Herodotean ring composition except you never get back to the beginning.

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a propos of nothing

And she named them all Dave

I’m in SF with Mere tonight, which seems to be the only time I get any work done. We ate Vietnamese vegetarian pancakes, which are like omelets full of bean sprouts, and lemongrass tofu and spicy eggplant with basil. Mere’s friend was a bean sprout farmer in Maui. Typing, writing, catching up on old notes and such. Here’s another Yiddish curse:

Hindert hayzer zol er hobn, in yeder hoyz a hindert tsimern, in yeder tsimer tsvonsik betn un kadukhes zol im varfn fin eyn bet in der tsveyter.
A hundred houses shall he have, in every house a hundred rooms and in every room twenty beds, and a delirious fever should drive him from bed to bed.

It reminds me of THE RED DEATH, and also of my brain.

Q: How do you keep it all in your head?
A: Keep what?

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a propos of nothing, Judaism

Educating the audience

From Kehilat Hadar’s website. It reminds me a lot of various discussions I’ve had about what people are or aren’t going to understand (see page 74, “What if they don’t know the play’s over?”) I also enjoy the prohibition against stage directions.

Why don’t you announce page numbers or when to sit/stand?
We encourage people to daven at their own pace, and recognize that not everyone shares the same custom of when to sit or stand. We also believe that interjections such as page numbers and stage directions harm the natural flow and rhythm of the service. In addition, there are large portions of the service where it is halachically forbidden to interrupt. Therefore, we do not announce pages or tell people when to sit/stand.

However, we realize that not everyone knows where the congregation is at any particular point in the service. We have therefore provided a sheet with page numbers for the most commonly used siddurim. We also encourage people to ask their neighbor for help if they want to find out where the congregation is.

(Seems like this is going to be the year of more Judaism. I just created a category for it.)

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a propos of nothing, Golda

“Day Off”

Monday, Sept. 10, 2007. A day of present tense:

I wake up and get on the phone with the MacNeil/Lehrer Archive, the Vanderbilt TV News Archive, the Bureau of Jewish Education’s Jewish Community Library. I am desperate to find more footage of some of these missing diplomats for Camille. I eat courgettes with Li Han. I bike to the Caltrain station. I miss three trains in a row because they keep arriving too early or late, and because I’m not a patient enough person to wait for trains, and because God thinks it’s funny. I make the fourth train. Caltrain to the Millbrae Bart to the 5 MacAllister to Pierce to Union. They let me in, 15 minutes late. I get my video (50 Years Of War) and go home. Six hours of public-transportation-related activity later. I go to Borrone’s. I read Well-Behaved Women Seldom Make History. I talk to Wilder (it’s not really his name, but he claims he’s earned it.) I read about E. Cady Stanton comparing women with slaves, and Virginia Woolf, and Christine de Pisan. Back to 2319. Wine with Li Han and Vickie. We discuss the fourth dimension of time. Premonitions. Reincarnation. Super Mario Brothers “lives.” I fall asleep before I mean to. I have so much work still to do.

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