poetry

the Coleridge poet workout plan

“In nature there is nothing melancholy.
–But some night-wandering Man, whose heart was pierc’d
With the remembrance of a grievous wrong,
Or slow distemper or neglected love,
(And so, poor Wretch! fill’d all things with himself
And made all gentle sounds tell back the tale
Of his own sorrows) he and such as he
First nam’d these notes a melancholy strain;
And many a poet echoes the conceit,
Poet, who hath been building up the rhyme
When he had better far have stretch’d his limbs
Beside a brook in mossy forest-dell
By sun or moonlight, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And his fame forgetful! so his fame
Should share in nature’s immortality,
A venerable thing! and so his song
should make all nature lovelier, and itself
Be lov’d, like nature! –But ’twill not be so…”

– from “The Nightingale,” S.T. Coleridge, in Lyrical Ballads. He, and such as he. Yep.

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Baltimore, the chorus

good day,

sunshine! LA was wonderful: the ||8ve model is easily portable. Taught a week of chorus workshops at my old high school, using the Puck text from Midsummer, and led an ||8ve improv session for LA actors & musicians. We worked on (sound files at link) The Rime of the Ancient Mariner, a text that I’ve long wanted to record. One of the coolest things about it was trying to say the footnotes simultaneously with the principal text. Simultaneity is one of the principles I would like to develop more. I am interested in it, but seem to keep doing it again and again without really working out the logistics.

Great meeting today about furthering ||8ve performance / composition opportunities. I’m trying to meet with the members of the core group separately to discuss what they want to have happen. There seems to be a lot of interest in moving towards memorization, more structured work, etc., but keeping the improv work as well. I’m happy about all of this. “Happy” is an understatement.

And it is hot and sunny. And I saw ECLIPSE yesterday.

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Ringo at 70

Q. A few weeks ago the Vatican finally gave its approval to the Beatles. How did you feel about that?

A. It didn’t affect me in any way, but I do believe that the Vatican have better things to deal with than forgiving the Beatles. I don’t remember what it actually said — it had some weird piece in it, too. That they’ve forgiven us for being, what, satanic? Whoever wrote it was thinking about the Stones.

– Mr. Starr, interviewed in the NYT

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Open work session in Los Angeles, July 3rd: Coleridge: Ancient Mariner

Invitation to improvised chorus workshop / recording session: Rime of the Ancient Mariner (RSVP)

When: Saturday, July 3rd, from 2-4 PM in the afternoon.
Who: Actors & musicians (bring your instruments)
Where: In Los Angeles, near Sunset and Gardner (RSVP for address and parking info)
What: Recording session, incorporating improvisation

As you probably all know by now, my name’s Dara, (I used to direct in LA in 2006-2007, including at NOTE and the Met) and these days, I direct a Baltimore-based group of actors and musicians called The Parallel Octave (http://paralleloctave.wordpress.com). We work on choruses — poems read and sung by multiple voices, and performed to improvised music. I would like to try to have a parallel Parallel Octave session in Los Angeles.

We will spend some time discussing the text, experimenting with techniques, and then make an improvised recording of a small part of the text. ***Please note: you must be comfortable with having this session recorded and the results shared online in order to attend.***

Nothing about what we do is set: not the order or number of voices or the style of music. Depending on the group of artists who comes together for each session, the result is different. You can hear some of those results at http://paralleloctave.wordpress.com.

RSVP (daraweinberg A T gmail) for more information.

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things are always breaking or need fixing

A novel is something you can live inside, like a house. It has lots of rooms that serve different purposes. You build it with your own two hands, and although it’s never perfect, and things are always breaking or need fixing, the dimensions are such that you can pass years of your life there. You can feel at home in it. You eat, you sleep, you have sex, you open your mail. A poem, I suppose, is more like a room. The word stanza actually means "room" in Italian. If you work hard enough on arranging the furniture, you might actually be able to make that room perfect. I think there’s the possibility for perfection in a poem that I’m not sure there is with a novel. But as lovely as that room might be, with just the right light and view, eventually you have to leave it. You get hungry or tired, or you have to go to the bathroom. And in the end, as you walk out, you realize you’ve closed that door behind you forever. Heraclitus said you can’t step into the same river twice. Well, when a poem or a novel is finished, you can’t ever go back in the same way. It’s just that a novel you live in for longer. And I like that. Wandering around in that house and making a life there.

– Nicole Krauss, in an old interview

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Baltimore, theater

theater weekend:

saw TRAGEDY @ Single Carrot on Friday, and am heading to closing weekend of THE GOAT, OR WHO IS SYLVIA @ Rep Stage today. It’s the end for THE GOAT, but TRAGEDY still has performances left, through July 11, and is wonderful. It’s Will Eno’s absurdist play about the sun going down and not coming back up, as reported by a crew of bewildered newscasters.

I read THE GOAT the year it came out, but have never seen it. I’m very excited, especially since the man playing the lead is a friend.

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the chorus

more choruses

New sound files up on ||8ve website: James Wright’s “At The Executed Murderer’s Grave,” William Blake’s LONDON.

On Saturday, the ||8ve group that assembled talked about the possibility of doing some projects requiring more rehearsal or memorization, as well as working with longer texts, or even collaborating with some visual/physical performers. These all seem like good ideas to me: better, now, after having watched THIS IS IT on Friday. I was very inspired by the professionalism of Michael Jackson and his dancers, and it made me want to do something more finished, as opposed to starting from scratch every week.

I like the format that ||8ve has right now, where it’s low-stress, where anyone can come, etc. But it seems like there ought to be possibilities for something more, beyond the poem-a-week. Something where we could build on old work.

I don’t know if it’s going to happen immediately, or at all. But twelve weeks of sessions has definitely left many of us curious what else is possible.

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improvised…land art?

“Like his contemporaries in land art Andy Goldsworthy and Christo and Jeanne-Claude, Polissky takes photos of his wprks before they melt or are blown away, then sells them in galleries. But unlike those artists, he and his team build the pieces without detailed drawings or plans. “Materials usually suggest the form,” he says.”

– from Nicolay Polissky’s web site, from a Readymade article.
I came across him this morning because of this NYT article. (Via.) Lots of pictures. They’re extraordinary. Fields of snowmen, towers of wood…He has a piece called "The Large Hadron Collider."

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another one…oh, you know.

“Feeling a touch more provincial lately? You should. With the cancellation of UCLA Live’s International Theatre Festival, Los Angeles’ status as a cultural world capital has suffered a serious blow. The fall program that brought cutting-edge theater from across the globe to the Westwood campus has been officially put on ice.

It’s a depressing though not unexpected development. In May, UCLA Live executive and artistic director David Sefton resigned in response to the cost-savings edicts coming down from above that put a big scary “X” on the theater program he began in 2002 and curated throughout with a connoisseur’s fearlessness.

The words “rethinking and restructuring” — those rhetorical piranhas infesting our recessionary waters — circled ominously. It doesn’t take a psychic to tell you that a limb is about to be torn off.”

– Charles McNulty, L.A. Times

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